1. Georgia O'Keeffe consistently battled against the Freudian interpretations of her flower series.
Austrian psychoanalyst Sigmund Freud was becoming popular in the United States in 1920s. Freud, the father of psychoanalysis, had written that one way of looking at art, besides its aesthetic value, was as an expression of the artists unconscious thoughts or desire.With Judy Chicago, the feminist art movement of the 1970s attempted to commandeer O'Keeffe for her "feminine iconography," but she refused to collaborate with them on any projects. Biologically, the centers of flowers are androgynous, not feminine, alright? These flowers were not painted in praise of labia, conversely, these ravenous views are tributes to the sensual forces and ecstasy of nature itself.
2. Flower paintings make up a small percentage of O'Keeffe's paintings.
Though O'Keeffe is most famous for her lovingly rendered close-ups of flowers - like Black Iris and Oriental Poppies - these make up just about 200 of her 2000-plus paintings. The rest primarily depict landscapes, leaves, rocks, shells, and bones.
The first break spanned several years (the exact number is a matter of debate), when O'Keeffe took on more stable jobs to help her family through financial troubles. In the early 1930s, a nervous breakdown led to her hospitalization, and caused her to set aside her brushes for more than a year.
In the years leading up to her death in 1986, failing eyesight forced O'Keeffe to give up painting entirely. Until then, she fought hard to keep working, enlisting assistants to prepare her canvas and mix her oil paints for pieces like 1977's Sky Above Clouds/Yellow Horizon and Clouds. She managed to use watercolors until she was 95.
4. She was given a one-woman exhibition in 1946 at the Museum of Modern Art in New York - the first given by that museum to a woman.
5. She is the mother of American Modernism
Her major retrospective in 1970 at the Whitney Museum of American Art, placed her as one of the most important and influential American painters.
6. She married the man behind her first gallery show.
"At last, a woman on paper!" That's what modernist photographer and gallery owner Alfred Stieglitz cried when he first saw O'Keeffe's abstract charcoal drawings. He was so enthusiastic about this series of sketches that he put them on display - before consulting their creator.
When O'Keeffe arrived at his gallery, she wasn't pleased, and brusquely introduced herself: "I am Georgia O'Keeffe and you will have to take these pictures down." Despite their rocky beginnings, Stieglitz and O'Keeffe quickly made amends, and went on to become partners in art and in life.
7. O'Keeffe and Stieglitz wrote 25,000 pages of love letters to each other.
When the pair met in 1916, he was famous and married; she was unknown and 23 years his junior. All the same, they began writing to each other often (sometimes two or three times a day) and at length (as many as 40 pages at a time). These preserved writings chart the progression of their romance - from flirtation to affair to their marriage in 1924 - and even document their marital struggles.
8. O'Keeffe's vision deteriorated in 1971 and she withdrew from artistic life.
9. In 1928, six of her calla lily paintings sold for $25,000, which was the largest amount ever paid at the time for a group of paintings by a living American artist.
10. O'Keeffe lived from 1887 to 1986. She was 98 years old when she died.
Her parents, Francis Calyxtus O'Keeffe and Ida (Totto) O'Keeffe, were dairy farmers. Her father was of Irish descent. Her mother's father, George Victor Totto, for whom O'Keeffe was named, was a Hungarian count who came to the United States in 1848. O'Keeffe was the second of seven children.
During the 1920s, O'Keeffe painted a series of architectural pictures that dramatically depict the soaring skyscrapers and aerial views of New York City. But most often, she painted landscapes and botanical studies that were inspired by annual trips to the Stieglitz family summer home in Lake George, New York.
“I've been absolutely terrified every moment of my life—and I've never let it keep me from doing a single thing I wanted to do.” “To create one's world in any of the arts takes courage.” “You get whatever accomplishment you are willing to declare.”
She finished her last unassisted oil paintings in 1972. In one, Black Rock with Blue Sky and White Clouds, a stone dominates the canvas, a sliver of blue sky and clouds behind it. In another, The Beyond, a wide band of darkness at the bottom of the canvas creeps toward the horizon line.
Alfred Stieglitz of Lake George, New York, and Miss Georgia T. O'Keeffe of Lake George, New York, were by [Joseph M. Marini] united in Holy Matrimony according to the ordinance of God and the laws of New Jersey at Cliffside Park on the Eleventh day of December 1924."
Accomplishments. O'Keeffe incorporated the techniques of other artists and was especially influenced by Paul Strand's use of cropping in his photographs; she was one of the first artists to adapt the method to painting by rendering close-ups of uniquely American objects that were highly detailed yet abstract.
As an ISFP, Georgia tends to be creative, unconventional, and empathetic. Georgia generally has a strong grasp of their senses and often has very vivid memories.
Famed artist Georgia O'Keeffe studied at the University of Virginia every summer from 1912 to 1916, taking courses designed for art teachers and teaching some classes of her own.
Introduction: My name is Rev. Leonie Wyman, I am a colorful, tasty, splendid, fair, witty, gorgeous, splendid person who loves writing and wants to share my knowledge and understanding with you.
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